Pre-1600 Manuscript Project

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The Digital Production Unit has begun imaging manuscript leaves from Rauner Special Collections in support the work of “manuscriptlink,” a digital humanities project based at the University of South Carolina. We are digitizing all of our pre-1600 manuscript leaves from broken manuscript books. The project is seeking to rebuild the broken manuscripts books from their widely disbursed parts to enhance their research value to the scholarly community. The international collaboration seeks to recover a “lost” medieval library by gathering, aggregating, and describing the dispersed components of dismembered manuscripts, and by presenting digital images of them as virtual codices in a robust interactive online forum.

Many of these manuscripts can be viewed as part of Rauner’s Script to Pixels Collection.

Inglourious Nitrates

Nitrate film, or nitrocellulose, is a highly combustible material that was used in commercial film production in the first half of the twentieth century. Several theater fires, resulting in the deaths of hundreds of people, have been attributed to it. Quentin Tarantino used it as a plot device in his 2009 alternate-history WWII movie Inglourious Basterds (spoiler alert): a Jewish cinema proprietor gets her revenge on an assemblage of Nazi leaders (including Hitler) by igniting a collection of nitrate film. Given that it is prone to spontaneous combustion as it deteriorates, nitrate film is not a material that most libraries and archives want sitting around in their collections, despite its utility in disposing of Nazis.

Recently, the Digital Library Program embarked on a project to digitize a collection of  negatives held at Rauner Library that we suspected might contain nitrate film (as well as acetate safety film, which replaced nitrate film around 1950). Given the potentially hazardous nature of the materials, our process has several steps. The negatives are stored in our Preservation freezer; keeping nitrates at low temperatures has been shown to inhibit combustion. We digitize the negatives according to a process similar to our other workflows: the items are defrosted, accession numbers are assigned, images are captured

with the scanner, metadata from the negatives’ envelopes are associated with the image files, and the materials are returned to the freezer, to be discarded eventually.

The objective of the project is to preserve the content of the original materials. We’re finding images similar to those in our photo files: campus buildings, sporting events, fraternity and student organization formals, New Hampshire landscapes, and portraits of faculty and administrators. Nitrate film was prized for its depth of detail and the luminosity of the silver emulsion.

A box of negatives, ready to be processed.

A box of negatives, ready to be processed.

A negative viewed on the lightbox

A negative viewed on the lightbox

Wes Benash examines a negative. Note the nitrile gloves.

Digital Library Program staff member Wes Benash examines a negative. Note the nitrile gloves.

A music professor. Note the contrast and detail.

A music professor. Note the contrast and detail.

The Tuck School campus. Many of the negatives show similar damage.

The Tuck School campus. Many of the negatives show similar damage.

A landscape, possibly the summit of Mt Cardigan.

A landscape, possibly the summit of Mt Cardigan.

A picnic? An outing? Note the lady with the camera in the foreground.

A picnic? An outing? Note the lady with the camera in the foreground.

Video: Dartmouth Vietnam Project

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Go behind the scenes of The Dartmouth Vietnam Project (DVP), a collaboration between the Dartmouth College Library and the History Department, through a new promotional video.

Since 2014, the DVP has trained students in the art and method of oral history, preparing them to conduct interviews with members of the Dartmouth community who experienced the Vietnam War era. Interviews are recorded, transcribed, and added to the oral history collection at Rauner Special Collections Library. To date, the DVP has produced 95 interviews that capture a pivotal moment in U.S. history from the perspectives of military veterans, anti-war activists, civil servants, educators, and more. For a look at the DVP so far (including some familiar Library faces, places, and collections), watch the 7-minute video.

The video is a creation of the Media Production Group and student Media Makers, with support from DCAL’s Experiential Learning Initiative.

Celebrating The Occom Circle

Hello World! This post inaugurates the Dartmouth Digital Library Program’s new blog, in which we’ll announce new digital collections, highlight interesting items, and explore the people and processes of our Digital Library Program. Please check back often to see what’s new and what’s cool.

This weekend, Dartmouth College will co-host with the Society of Early Americanists a symposium on Indigenous Archives in the Digital Age. The event celebrates The Occom Circle, a digital edition of the papers of Samson Occom (1723-1792), a Mohegan Indian who was instrumental in Dartmouth’s founding. The Occom Circle is one of the Dartmouth Digital Library Program’s largest projects to date, involving librarians, archivists, technologists, scholars, students, and members of the Mohegan tribe.

Over the past few years, I have been lucky to work with my colleagues on The Occom Circle. Doing document transcription, simplified “mark-down,” and TEI markup was a hands-on way to learn about a digital humanities project from the ground up. (For more details, see the chapter that several team members wrote for the collection Digital Humanities in the Library). I also found that I just liked Samson Occom. His words were fascinating, although alien to the extent that he was writing within a profoundly different historical, cultural, and religious context. His journal entries were comforting in their repetition; every morning, it seemed, began with him waking, breakfasting, and setting off on his horse (if he was fortunate to have one) or on foot (more often than not) to the next settlement to preach “to a large number of people.” And yet there were moments of epiphany, of joy and sorrow, that broke through the daily tedium: Occom officiated at a wedding, or comforted the sick and dying, or went fishing with his sons, or rejoiced in the kindness and compassion of his hosts.

For an exhibit at Dartmouth’s Rauner Special Collections Library in conjunction with the conference, we wanted to explore Occom’s role in a series of events related to the founding of Dartmouth College. In 1765, Eleazar Wheelock, wanting to raise funds for his project of converting Native Americans to Christianity at his school in Connecticut, sent Occom, who was already an ordained minister, to Great Britain. There, Occom became a celebrity, preaching to numerous congregations, meeting religious leaders like George Whitefield (one of the founders of Methodism) and political figures like William Legge, 2nd Earl of Dartmouth (for whom Wheelock would eventually name his fledgling institution). Occom’s return to the colonies, however, precipitated his break with Wheelock. He discovered that his family had been neglected, and that his mentor planned to move the school to the New Hampshire frontier.

Some years later, Occom wrote a scathing letter berating Wheelock for abandoning his intention to teach Indian youth in favor of creating a College. He felt like Wheelock’s “Gazing Stock, Yea Ever a Laughing Stock, in Strange Countries, to Promote your Cause.” Other mentors, such as Whitefield, Occom noted, had warned him that he was nothing but a tool that would be used and set aside. Even in the heat of passion, Occom did not forget his schooling. He threw the learning Wheelock had given him back in his face. He wrote:

I am very Jealous that instead of your Semenary Becoming alma Mater, She will be too alba mater to Suckle the Tawnees, for She is already a Dorn’d up too much like the Popish Virgin Mary She’ll be Naturally ashame’d to Suckle the Tawnees for She is already equal in Power, Honor, and Authority to and any College in Europe.

With alba mater (in Latin, “white mother”), Occom puns on alma mater (“foster mother”), a traditional metaphor for a college.

Occom to Wheelock 1771

Excerpt of letter from Occom to Wheelock, July 24, 1771

This was an extraordinary moment in the story of Dartmouth’s founding. Occom recognized the failure of the institutions and people who nurtured him to uphold the values which he had been taught. Archives have always contained marginalized voices; digital archives amplify those voices to help fill the silences of history, and to remind us of our communities’ ideals. During the celebration of its 250th anniversary, Dartmouth will certainly reflect on its struggle to embrace the original commitment to Native education for which Occom worked so hard, and which we can see evidence of in the documents of The Occom Circle.

The Occom Circle includes digital editions both of Occom’s journal of his trip to Great Britain and of his final letter to Wheelock. The journal and the letter themselves, along with many other related documents, are in the exhibit “Power, Honor, and Authority: Samson Occom and the Founding of Dartmouth College.” The exhibit was curated by Laura Braunstein and Peter Carini, and will be on view in Rauner Library’s Class of ‘65 Gallery until October 28, 2016.