Shakespeare’s The Tempest is deeply embedded in the tropical landscape of the Mediterranean, so how does this play change when a modern adaptation is set in the Arctic? Continue reading
At the height of the American Civil War, the debate on slavery raged in the American North and South. The North supported the abolition of slavery whereas the South wanted to keep the institution of slavery to sustain their plantation-centric economy. Where Shakespeare’s The Tempest enters the fray is with a political cartoon published at the midpoint of the war: January 24, 1863.
The last theater production I saw was in fact, the Shakespeare in the Park’s version of The Tempest. It was a boiling hot, incredibly humid June evening when we stumbled into the Delacorte theater in the middle of the park, ready for some culture. For a first viewing of Shakespeare’s debatably last play, it was a dramatic setting. The air, heavy with moisture made the audience feel as if they were truly sitting on a desert island. It was the best and worst part of the production.
Recent scholarship has begun examining the relationship of Caliban and Prospero through the lens of postcolonialism, leading to a discourse that explores this relationship as analogous with that of the colonized and colonizers. This argument aligns Shakespeare’s work in the context of history, applying it directly to actual events. This allegorical reading explores the nuances of Caliban being abused by Prospero after introducing him to the island and the way that aspects of physical abuse and use of language work in ways to oppress Caliban as parallel to that of European powers colonizing Africa and the “New World”. Continue reading
Forget about Lucy as the missing link! Literature professors and costume designers have a long history of viewing Caliban as a character who fills an evolutionary void between man and beast. Continue reading
Well, it’s not exactly an angel…
In Shakespeare’s The Tempest, after being shipwrecked on an island, Antonio, Sebastian, and Alonso seek food and shelter. Unbeknownst to Alonso, his two followers seek to murder him in his sleep, eager to increase their own political power. Stumbling across a banquet full of food placed by invisible spirits , the travelers sit down and begin to feast. Out of the blue, a harpy (a female monster with a human head and a bird body), crashes their treat-laden party by landing on the table and castigates the villains for their terrible deeds. Continue reading
Film Comment calls it Julie Taymor’s “own yonic paradise” – yonic, if you didn’t know, being the female version of the word ‘phallic’. Powerful and feminised, Taymor’s The Tempest is revolutionary if only for its female version of Prospero—or rather, Prospera, played by none other than Dame Helen Mirren. Continue reading
Imagine the tempest… not Shakespeare’s play itself, but the actual storm described. Do you imagine a dark, chaotic scene filled with powerful, crashing waves? Do you see sailors scurrying around, trying to keep the ship from sinking?