We have a strong collection of emblem books that try to create a visual vocabulary of classical themes and emotions and we also have another collection that documents 19th-century calligraphy. So, you can imagine how pleased we were to find this little...
We have a strong collection of emblem books that try to create a visual vocabulary of classical themes and emotions and we also have another collection that documents 19th-century calligraphy. So, you can imagine how pleased we were to find this little gem of a book, Arabesques mythologiques (Paris: Charles Barrois, 1810) which combines the two ideas in one.
Illustrated with 54 hand-colored emblems representing the characters of Greek and Roman myth, the book was a kind of primer for children to learn the classical gods and the myths surrounding them. The visual clues create more lasting memories than text alone and each emblem tries to capture the essence of the actors. But, unlike other emblem books, there is text intertwined into each image. Turn them sideways, and you find the names beautifully scripted into the images--each is an elegant design loaded with cultural meaning.
South Main StreetWhite River Junction, VTGeorge Fellows was a local photographer who was most prolific in the late nineteenth and early twentieth centuries. He owned at least three studios in the Upper Valley area - one in Royalton, VT, another in Whit...
George Fellows was a local photographer who was most prolific in the late nineteenth and early twentieth centuries. He owned at least three studios in the Upper Valley area - one in Royalton, VT, another in White River Junction, VT and a third in Claremont, NH. The studio in White River Junction (pictured in the photograph of South Main Street) operated until his death in 1916. Not much is known about Fellows' origins, though it is thought that he may have originally been from Charlestown, New Hampshire.
Rauner Library holds a significant collection of over a thousand early twentieth-century negatives taken by Fellows of the surrounding area. Most of these are dry gelatin glass plates, though a small number are on celluloid. Towns represented in the collection include Canaan, Enfield, Lyme, Orford and West Lebanon in New Hampshire and Ascutney, Fairlee, Norwich, Royalton, Sharon, Thetford, Woodstock and White River Junction in Vermont. The images are typically labeled by place name or building and occasionally include a specific date. They provide a rich visual record of this small section of New England at the turn of the last century.
Ask for Iconography 1513. While the glass plate negatives are available for viewing, they are extremely fragile and we encourage patrons to ask for the modern (and much less fragile) study prints for extensive study and image selection.
Everybody knows the classic tale of Ebenezer Scrooge and the three ghosts of Christmas whose visitations cause the former miser and all around misanthrope to reform. The other novellas of Christmas penned by Charles Dickens have not stood the test of t...
Everybody knows the classic tale of Ebenezer Scrooge and the three ghosts of Christmas whose visitations cause the former miser and all around misanthrope to reform. The other novellas of Christmas penned by Charles Dickens have not stood the test of time as well, perhaps due to lack of such memorable characters like old Mr. Fezziwig.
The first followup to A Christmas Carol (London: Chapman & Hall, 1843) was The Chimes (London: Chapman and Hall, 1845). Despite the inevitable happy ending, this story is a bleaker, more pointed critique of social issues of the 1840s. The goblins in the tale offer the main character glimpses of his family's potential future - each an illustration of how seemingly good people can become trapped in a cycle of evil.
The Cricket On The Hearth (London: Bradbury and Evans, 1846) is the third in the sequence. After several trials and tribulations, the spirit of the hearth cricket reminds the various characters of their potential for good and the futility of suspecting the worst of others.
The Battle Of Life (London: Bradbury & Evans, 1846) omits the supernatural elements of the first three tales and instead focuses on the selfless acts of the daughters of the cynical Doctor Jeddler. Their devotion and caring brings about a change in his view of the world.
The final novella is The Haunted Man And The Ghost's Bargain (London: Bradbury & Evans, 1848). In this story, Dickens reenlists the aid of a supernatural entity to bring about the redemption of the main character whose initial bargain with his ghostly double to remove all painful memories brings calamity on all others he interacts with as they are also shorn of any unwanted thoughts, leaving them thoughtless and cruel. The lost memories and human feeling of all are returned through the inherent goodness of Milly Swidger whose own painful memories are the source of her benevolence.
Like the rest of the country, we have had school children on our minds this week. We were reminded of a batch of very sweet letters in our Ted Geisel collection addressed to Dr. Seuss. It seemed like a good time to share a few, as well as one of Seuss'...
Like the rest of the country, we have had school children on our minds this week. We were reminded of a batch of very sweet letters in our Ted Geisel collection addressed to Dr. Seuss. It seemed like a good time to share a few, as well as one of Seuss's replies.
The Dartmouth College Archives are full of great stories. With a history as long and varied as ours, there is always something interesting to uncover.
We tend to get most excited when we find a story with good teaching or research potential. A favorite is the life of Charles "Stubbie" Pearson '42, a tragic hero in the history of Dartmouth College. He was the 1942 valedictorian, captain of the football and basketball teams, a poet, scholar, and inspirational leader on campus. Along with dozens of his classmates, he joined the Navy upon graduation and became a Navy pilot. In 1944 he was killed in action in the Pacific while dive-bombing an enemy ship.
Several years ago, Special Collections Librarian Jay Satterfield worked with Stephanie Boone in the Writing program to develop a class session where students puzzled out Stubbie’s life history as a way to help them understand the construction of narrative and to highlight the use of primary sources in building research projects.
The exercise grew out of Stephanie’s request to find primary sources that would help her students understand the cultural milieu of World War II, the setting of Michael Ondaatje’s The English Patient, to show them a new way to read the novel, and to show them the use of primary sources in understanding and constructing narratives. Importantly, it demonstrated how finding the story in sources leads to exciting research questions that students do not anticipate. They begin to see how the gaps in narratives generate some of the most compelling research experiences. In fact, over the six years that we’ve used this exercise, students experience this trip to Special Collections as literally their first experience in using primary sources. Coming face to face with Stubbie’s story allows students to identify with Stubbie and to understand the cultural context of Dartmouth, common ground on which both Stubbie and the students stand.