1. Maurice Merleau-Ponty, “The Spatiality of One’s Own Body and Motility,” in Phenomenology of Perception, trans. Colin Smith (London: Psychology Press, 2002), 169.
2. Amelia Jones, “The ‘Eternal Return’: Self-Portrait Photography as a Technology of Embodiment,” Sings 27, no. 4 (2002): 950. JSTOR.
3. Sonia Landy Sheridan, quoted in Katherine Hart, “The Art of Sonia Landy Sheridan: Exploring Patterns in Flow,” in The Art of Sonia Landy Sheridan, ed. Diane Kirkpatrick (Hanover, NH: Hood Museum of Art, Dartmouth College, 2009).
4. Sonia Landy Sheridan, quoted in Gemma Cowan, “Generative Systems: Sonia Landy Sheridan as Artist/Master of the Machine,” Visual Resources 22, no. 4: 334, http://doi.org/10.1080/01973760601010309.
5. Mika Rottenberg, interview by Judith Hudson, BOMB, October 1, 2010. http://bombmagazine.org/articles/mika-rottenberg/.
6. Mika Rottenberg, interview by Judith Hudson, BOMB, October 1, 2010. http://bombmagazine.org/articles/mika-rottenberg/.
7. Kimberly Juanita Brown, “Visualizing the Body of the Black Atlantic,” in The Repeating Body: Slavery’s Visual Resonance in the Contemporary (Durham: Duke University Press, 2015), E-book.
8. María Magdalena Campos-Pons, interview by William Luis, “Art and Diaspora: A Conversation with María Magdalena Campos-Pons,” Afro-Hispanic Review 3, no. 2 (Fall 2011): 165.
9. María Magdalena Campos-Pons, interview by William Luis, “Art and Diaspora: A Conversation with María Magdalena Campos-Pons,” Afro-Hispanic Review 3, no. 2 (Fall 2011): 165.
10. Mgcineni ‘Pro’Sobopha, “The Body: Gender and the Politics of Representation,” Agenda: Empowering Women for Gender Equity 2.2, no. 63 (2005): 122.
11. Rebecca Belmore, in conversation with Kathleen Ritter, Vancouver Art Gallery (April 19, 2008), https://www.rebeccabelmore.com/fringe/.
12. Rebecca Belmore, in conversation with Kathleen Ritter, Vancouver Art Gallery (April 19, 2008), https://www.rebeccabelmore.com/fringe/.