Lesson 4 Bibliography: The Early Cycladic Period
C. Alexander, “A Cycladic Statuette,” Bulletin of the Metropolitan Museum of Art 30(1935) 10-12.
R. L. N. Barber, “Early Cycladic Marble Figures: Some Thoughts on Function,” in J. L. Fitton (ed.), Cycladica (London 1984) 10-14.
A. Bevan, Stone Vessels and Values in the Bronze Age Mediterranean (Cambridge 2007).
K. Birtacha, “Chromata kai chromatismos kata ten Proïme Epoche tou Chalkou stis Kyklades,” in A. Vlachopoulos and K. Birtacha (eds.), ARGONAUTIS: Timetikos tomos gia ton Kathegete Christo G. Douma apo tous mathetes tou sto Panepistimio Athenon (1980-2000) (Athens 2003) 263-276.
K. Birtacha, “Examining the Paint on Cycladic Figurines,” in M. Marthari, C. Renfrew, and M. J. Boyd (eds.), Early Cycladic Sculpture in Context (Oxford 2017) 491-501.
A. Boleti, “The Use of Emery in the Bronze Age Aegean and Eastern Mediterranean: Methodological Approaches and Preliminary Results,” in G. Kazazes (ed.), Deftero Diethnes Synedrio Archaias Ellenikes Technologias: Praktika [Ancient Greek Technology, 2nd International Conference] (Athens 2006) 276-283.
M. J. Boyd and J. Dixon, “The Stone Discs from Dhaskalio,” in C. Renfrew, O. Philaniotou, N. Brodie, G. Gavalas, and M. J. Boyd (eds.), The Sanctuary on Keros and the Origins of Aegean Ritual Practice: The Excavations of 2006-2008 I: The Settlement at Dhaskalio (Cambridge 2013) 597-644.
T. Carter, “Cinnabar and the Cyclades: Body Modification and Political Structure in the Late EB I Southern Cyclades,” in H. Erkanal, H. Hauptmann, V. Sahoglou, and R. Tuncel (eds.), The Aegean in the Neolithic, Chalcolithic and the Early Bronze Age (Ankara 2008) 119-129.
J. F. Cherry, “Beazley in the Bronze Age? Reflections on Attribution Studies in Aegean Prehistory,” in R. Laffineur and J. L. Crowley (eds.), EIKON: Aegean Bronze Age Iconography: Shaping a Methodology [Aegaeum 8] (Liège/Austin 1992) 123-144.
C. Chippindale and D. Gill, “Cycladic Figurines: Art vs. Archaeology?,” in K. W. Tubb (ed.), Antiquities: Trade or Betrayed. Legal, Ethical and Conservation Issues (London 1995) 131-142.
V. Chryssovitsanou, “Les statuettes cycladiques et l’art moderne,” in P. Darcque, M. Fotiadis, and O. Polychronopoulou (eds.), Mythos: La préhistoire égéenne du XIXe au XXIe siècle après J.-C. [BCH Supplement 46] (Athens 2006) 337-343.
J. Craxton and P. Warren, “A Neocycladic Harpist?,” in N. Brodie and C. Hills (eds.), Material Engagements: Studies in Honour of Colin Renfrew (Cambridge 2004) 109-113.
J. L. Davis, “A Cycladic Figure in Chicago and the Non-Funereal Use of Cycladic Marble Figures,” in J. L. Fitton (ed.), Cycladica (London 1984) 15-23.
A. Devetze, “E parousia ton lithinon angeion os endeixe ton scheseon ton nesion tou voreiou Aigaiou me ton ypoloipo aigaiako choro,” in C. G. Doumas and V. La Rosa (eds.), E Poliochne kai e Proïme Epoche tou Chalkou sto Boreio Aigaio (Athens 1997) 556-568.
A. Devetzi, “Akrotiri, Thera: Stone Vessels and Implements of the Early Bronze Age – A Preliminary Report,” in N. Brodie, J. Doole, G. Gavalas, and C. Renfrew (eds.), ORIZON. A Colloquium on the Prehistory of the Cyclades (Cambridge 2008) 135-148.
C. Doumas, “Figurines from Akrotiri, Naxos, and Plastiras, Paros,” in M. Marthari, C. Renfrew, and M. J. Boyd (eds.), Early Cycladic Sculpture in Context (Oxford 2017) 53-64.
C. Doumas, “Sculptures from Aghioi Anargyroi and Avdeli, Naxos,” in M. Marthari, C. Renfrew, and M. J. Boyd (eds.), Early Cycladic Sculpture in Context (Oxford 2017) 255-262.
C. Doumas, “Early Cycladic Sculptures from the Settlement at Akrotiri, Thera,” M. Marthari, C. Renfrew, and M. J. Boyd (eds.), Early Cycladic Sculpture in Context (Oxford 2017) 446-454.
C. Doumas and V. Lambrinoudakis, “The Cemetery at Aplomata on Naxos,” plus O. Philaniotou, “Appendix: Pottery from the Cemetery of Aplomata, Naxos,” in M. Marthari, C. Renfrew, and M. J. Boyd (eds.), Early Cycladic Sculpture in Context (Oxford 2017) 183-218.
J. L. Fitton, “Perditus and Perdita: Two Drawings of Cycladic Figurines in the Greek and Roman Department of the British Museum,” in J. L. Fitton (ed.), Cycladica (London 1984) 76-87.
G. Gavalas, “The Marble Vessels from Dhaskalio,” in C. Renfrew, O. Philaniotou, N. Brodie, G. Gavalas, and M. J. Boyd (eds.), The Sanctuary on Keros and the Origins of Aegean Ritual Practice: The Excavations of 2006-2008 I: The Settlement at Dhaskalio (Cambridge 2013) 505-516.
G. Gavalas, “Marble Figurines from Sites on Epano and Kato Kouphonisi,” in M. Marthari, C. Renfrew, and M. J. Boyd (eds.), Early Cycladic Sculpture in Context (Oxford 2017) 272-296.
G. Gavalas, “The Stone Vessels Found at Dhaskalio Kavos in 1987,” in M. Marthari, C. Renfrew, and M. J. Boyd (eds.), Early Cycladic Sculpture in Context (Oxford 2017) 373-378.
H. Genz, Ritzverzierte Knochenhülsen des dritten Jahrtausends im Ostmittelmeerraum: Eine Studie zu den frühen Kulturverbindungen zwischen Levante und Ägäis (Wiesbaden 2003).
P. Getz-Gentle, Stone Vessels of the Cyclades in the Early Bronze Age (University Park 1996).
P. Getz-Gentle, Personal Styles in Early Cycladic Sculpture (Madison 2001).
P. Getz-Gentle, “The Keros Hoard Revisited,” AJA 112(2008) 299-305.
P. Getz-Gentle, N. Herz, Y. Maniatis, and K. Polikreti, “Sourcing the Marble of Early Cycladic Objects,” in K. P. Foster and R. Laffineur (eds.), METRON: Measuring the Aegean Bronze Age [Aegaeum 24] (Liège/Austin 2003) 65-74.
P. Getz-Preziosi, “Cycladic Sculptors and Their Methods,” in J. Thimme (ed.), The Art and Culture of the Cyclades in the Third Millennium B.C. (Chicago 1977) 71-91.
P. Getz-Preziosi, “Addenda to the Cycladic Exhibition in Karlsruhe,” AA (1978) 1-11.
P. Getz-Preziosi, “The Hunter/Warrior Figure in Early Cycladic Marble Sculpture,” in J. L. Davis and J. F. Cherry (eds.), Papers in Cycladic Prehistory (Los Angeles 1979) 87-96.
P. Getz-Preziosi, “The Male Figure in Early Cycladic Sculpture,” Metropolitan Museum Journal 15(1980) 5-33.
P. Getz-Preziosi, “Risk and Repair in Early Cycladic Sculpture,” Metropolitan Museum Journal 16(1982) 5-32.
P. Getz-Preziosi, “The ‘Keros Hoard’: Introduction to an Early Cycladic Enigma,” in D. Metzler, B. Otto, and C. Müller-Wirth (eds.), ANTIDORON: Festschrift für Jürgen Thimme zum 65. Geburtstag am 26. September 1982 (Karlsruhe 1983) 37-44.
P. Getz-Preziosi, “Nine Fragments of Early Cycladic Sculpture in Southern California,” Getty Museum Journal 12(1984) 5-20.
P. Getz-Preziosi, "Five Sculptors in the Goulandris Collection," in J. L. Fitton (ed.), Cycladica (London 1984) 48-71.
P. Getz-Preziosi, Early Cycladic Sculpture: An Introduction (Malibu 1985).
P. Getz-Preziosi, Sculptors of the Cyclades: Individual and Tradition in the Third Millennium B.C. (Ann Arbor 1987).
P. Getz-Preziosi and S. S. Weinberg, “Evidence for Painted Details in Early Cycladic Sculpture,” AK 13(1970) 4-12.
D. W. J. Gill and C. Chippindale, “Material and Intellectual Consequences of Esteem for Cycladic Figures,” AJA 97(1993) 601-659.
L. Goodison, “Horizon and Body: Some Aspects of Cycladic Symbolism,” in N. Brodie, J. Doole, G. Gavalas, and C. Renfrew (eds.), ORIZON. A Colloquium on the Prehistory of the Cyclades (Cambridge 2008) 417-431.
D. Goula, “Thoughts on the Funerary Use of the Early Bronze Age (EBA) Cycladic Figurines: Iconography, Form, Context and Embodied Lives,” in M. Mina, S. Triantaphyllou, and Y. Papadatos (eds.), An Archaeology of Prehistoric Bodies and Embodied Entities in the Eastern Mediterranean (Oxford 2016) 18-24
E. Hendrix, “Painted Ladies of the Early Bronze Age,” Metropolitan Museum of Art Bulletin 55 (1998) 4-15.
E. Hendrix, The Paint Motifs on Early Cycladic Figures (Ph.D. dissertation, New York University Institute of Fine Arts 2000).
E. Hendrix, “Some Methods for Revealing Paint on Early Cycladic Figures,” in K. P. Foster and R. Laffineur (eds.), METRON: Measuring the Aegean Bronze Age [Aegaeum 24] (Liège/Austin 2003) 139-145.
E. Hendrix, “Painted Early Cycladic Figures: An Exploration of Context and Meaning,” Hesperia 72(2003) 405-446.
C. R. Hershenson and J. C. Overbeck, “Early Cycladic Figurines in Later Cotexts at Ayis Irini, Kea,” in M. Marthari, C. Renfrew, and M. J. Boyd (eds.), Early Cycladic Sculpture in Context (Oxford 2017) 421-435.
R. A. Higgins, “A Cycladic Idol,” British Museum Quarterly 36(1972) 3-4.
O. Höckmann, “Zur kykladischen Harfenspielerfigur von Keros,” Boreas 5(1982) 33-48.
G. L. Hoffman, “Painted Ladies: Early Cycladic II Mourning Figures?,” AJA 106(2002) 525-550.
S. Katsarou and D. U. Schilardi, “Recontextualised Neolithic and Early Cycladic Figurines at the Acropolis of Koukounaries, Paros,” in M. Marthari, C. Renfrew, and M. J. Boyd (eds.), Early Cycladic Sculpture in Context (Oxford 2017) 409-420.
B. Lawergren, “A ‘Cycladic’ Harpist in the Metropolitan Museum of Art,” SOURCE: Notes in the History of Art 20:1(2000) 2-9.
I. Legaki, “Sculptures from Phiondas, Naxos,” in M. Marthari, C. Renfrew, and M. J. Boyd (eds.), Early Cycladic Sculpture in Context (Oxford 2017) 219-254.
C. Marangou, EIDOLIA: Figurines et miniatures du Néolithique récent et du Bronze ancien en Grèce (Oxford 1992).
L. Marangou, “Kykladiko eidolio apo ten Minoa tes Amorgou,” ArchEph (1990) 159-176.
M. Marthari, “Cycladic Marble Idols: The Silent Witnesses of an Island Society in the Early Bronze Age Aegean,” in Gods and Heroes of the Bronze Age: Europe at the Time of Ulysses (Copenhagen 1998) 158-163.
M. Marthari, “Tria kykladika eidolia sto mouseio tes Syrou,” in N. Ch. Stampolides (ed.), PHOS KYKLADIKON: Timetikos tomos ste mneme tou Nikou Zapheiropoulou (Athens 1999) 30-43.
M. Marthari, “Early Cycladic Sculptures as Archaeological Objects,” in M. Marthari, C. Renfrew, and M. J. Boyd (eds.), Early Cycladic Sculpture in Context (Oxford 2017) 13-21.
M. Marthari (and Y. Maniatis), “Cycladic Figurines in Settlements: The Case of the Major EC II Settlement at Skarkos on Ios,” plus “Appendix: Non-invasive Examination of Marble Figurines from Skarkos on Ios,” in M. Marthari, C. Renfrew, and M. J. Boyd (eds.), Early Cycladic Sculpture in Context (Oxford 2017) 119-164.
M. Marthari (and Y. Maniatis), “Figurines in Context at the Chalandriani Cemetery on Syros,” plus “Appendix: Non-invasive Examination of Marble Objects from Chalandriani, Syros,” in M. Marthari, C. Renfrew, and M. J. Boyd (eds.), Early Cycladic Sculpture in Context (Oxford 2017) 297-309.
H. Matthäus, “Ein Kykladenidol in Marburg: Bemerkungen zur Chronologie der kykladischen Frühbronzezeit,” AA (1980) 149-165.
J. R. Mertens, “Some Long Thoughts on Early Cycladic Sculpture,” Metropolitasn Museum Journal 33(1998) 7-22.
J. R. Mertens, “Cycladic Art in the Metropolitan Museum, Antecedents and Acquisitions,” in C. G. Doumas (ed.), Silent Witnesses: Early Cycladic Art of the Third Millennium BC (New York 2002) 14-19.
M. Mina, “Gendering Figurines, Engendering People in Early Aegean Prehistory,” in C. Briault, J. Green, A. Kaldelis, and A. Stellatou (eds.), SOMA 2003: Symposium on Mediterranean Archaeology [BAR-IS 1391] (Oxford 2005) 111-114.
M. Mina, Anthropomorphic Figurines from the Neolithic and Early Bronze Age Aegean: Gender Dynamics and Implications for the Understanding of Early Aegean Prehistory (Oxford 2008).
M. Mina, “In Search of the Cycladic Hunter-Warrior: Evidence and Implications for the Understanding of Gender Construction and Roles in the Early Bronze Age Aegean,” in L. H. Dommasnes, T. Hjørungdal, S. Montón-Subias, M. Sánchez-Romero, and N. L. Wicker (eds.), Situating Gender in European Archaeologies (Budapest 2010) 225-244.
C. Morris, “Hands Up for the Individual! The Role of Attribution Studies in Aegean Prehistory,” CAJ 3(1993) 41-66.
G. Nymo, C. Renfrew, and J. Dixon, “The Pebbles from Dhaskalio,” in C. Renfrew, O. Philaniotou, N. Brodie, G. Gavalas, and M. J. Boyd (eds.), The Sanctuary on Keros and the Origins of Aegean Ritual Practice: The Excavations of 2006-2008 I: The Settlement at Dhaskalio (Cambridge 2013) 517-530.
F. Ölmann, “Das Kornspeichermodell von Melos,” AM 50(1925) 19-27.
F. Ölmann, “Hausurnen oder Speicherurnen?,” Bonner Jahrbücher des rheinischen Landesmuseums in Bonn und des Vereins von Altertumsfreunden im Rheinlande 134(1949) 1-39.
E. Oustinoff, “The Manufacture of Cycladic Figurines: A Practical Approach,” in J. L. Fitton (ed.), Cycladica (London 1984) 38-47.
P. Pantou, “A Fragment of an Early Cycladic Figurine from the Prehistoric Settlement at Plakalona on Seriphos,” in M. Marthari, C. Renfrew, and M. J. Boyd (eds.), Early Cycladic Sculpture in Context (Oxford 2017) 103-106.
Y. Papadatos, “Figurines, Paint and the Perception of the Body in the Early Bronze Age Southern Aegean,” in M. Mina, S. Triantaphyllou, and Y. Papadatos (eds.), An Archaeology of Prehistoric Bodies and Embodied Entities in the Eastern Mediterranean (Oxford 2016) 11-17.
Y. Papadatos and E. Venieris, “An Experimental Approach to the Manufacture of Cycladic-Type Figurines with Folded Arms and Preliminary Observations,” in M. Marthari, C. Renfrew, and M. J. Boyd (eds.), Early Cycladic Sculpture in Context (Oxford 2017) 483-490.
G. G. Papadopoulos, "Notices sur quelques antiquités de l'ile de Syra," RA 6(1862) 224-234.
Z. D. Papadopoulou, “Akrotiraki and Skali: New Evidence for EBA Lead/Silver and Copper Production from Southern Siphnos,” in P. P. Betancourt and S. C. Ferrence (eds.), Metallurgy: Understanding How, Learning Why: Studies in Honor of James D. Muhly [Prehistory Monographs 29] (Philadelphia 2011) 149-156.
Z. D. Papadopoulou, “Sculptures from Akrotiraki, Siphnos and its Cemetery,” in M. Marthari, C. Renfrew, and M. J. Boyd (eds.), Early Cycladic Sculpture in Context (Oxford 2017) 107-118.
T. Papangelopoulou, “A Schematic Figurine of Shell from Mersinia on Kythnos,” in M. Marthari, C. Renfrew, and M. J. Boyd (eds.), Early Cycladic Sculpture in Context (Oxford 2017) 88-91.
L. Papazoglou-Manioudaki (plus Y. Maniatis and D. Tambakopoulos), “The Early Cycladic Figurines from the Excavations of Clon Stephanos on Syros and a Note on His Work on Naxos: Towards Context,” plus “Appendix: Optical Examination of Fourteen Cycladic Figurines from Syros,” in M. Marthari, C. Renfrew, and M. J. Boyd (eds.), Early Cycladic Sculpture in Context (Oxford 2017) 310-333.
O. Philaniotou, “Figurines from Potamia on Epano Kouphonisi (Pantelis Tsavaris Property),” in M. Marthari, C. Renfrew, and M. J. Boyd (eds.), Early Cycladic Sculpture in Context (Oxford 2017) 171-181.
O. Philaniotou, “Figurines from the Cemetery of Tsikniades, Naxos,” in M. Marthari, C. Renfrew, and M. J. Boyd (eds.), Early Cycladic Sculpture in Context (Oxford 2017) 263-271.
E. C. Pieler, “Import or Imitation. Cycladic Idols on the Greek Mainland,” in A. Brysbaert, N. de Bruijn, E. Gibson, A. Michael, and M. Monaghan (eds.), SOMA 2002: Symposium on Mediterranean Archaeology [BAR-IS 1142] (Oxford 2003) 99-104.
E. C. Pieler, “Kykladische und ‘kykladisierende’ Idole auf Kreta und im helladischen Raum in der Frühbronzezeit – eine Klassifizierung,” SMEA 46(2004) 79-119.
J. Rambach, “Schematic Marble Figurines from Secure Early Cycladic I Grave Contexts on the Islands of Ano Kouphonisi, Antiparos, Dhespotiko, Naxos, Paros and Siphnos,” in M. Marthari, C. Renfrew, and M. J. Boyd (eds.), Early Cycladic Sculpture in Context (Oxford 2017) 65-87.
C. Renfrew, “The Development and Chronology of the Early Cycladic Figurines,” AJA 73(1969) 1-32.
A. C. Renfrew, “Speculations on the Use of Early Cycladic Sculpture,” in J. L. Fitton (ed.), Cycladica (London 1984) 24-30.
C. Renfrew, “Dhaskalio Kavos (Keros): Reflections and a Question,” in N. Ch. Stampolides (ed.), GENETHLION: Anamnestikos tomos gia ten symplerose eikosi chronon leitourgias tou Mouseiou Kykladikes Technes (Athens 2006) 25-34.
C. Renfrew, “The Keros Hoard: Remaining Questions,” AJA 112(2008) 295-298.
C. Renfrew, “The Figurines from Dhaskalio,” in C. Renfrew, O. Philaniotou, N. Brodie, G. Gavalas, and M. J. Boyd (eds.), The Sanctuary on Keros and the Origins of Aegean Ritual Practice: The Excavations of 2006-2008 I: The Settlement at Dhaskalio (Cambridge 2013) 483-490.
C. Renfrew, “Early Cycladic Sculpture: Issues of Provenance, Terminology and Classification,” in M. Marthari, C. Renfrew, and M. J. Boyd (eds.), Early Cycladic Sculpture in Context (Oxford 2017) 1-12.
C. Renfrew, “The Figurines from the Settlement at Dhaskalio,” in M. Marthari, C. Renfrew, and M. J. Boyd (eds.), Early Cycladic Sculpture in Context (Oxford 2017) 165-170.
C. Renfrew, “The Figurine Fragments Recovered from the Special Deposit North at Kavos in 1987,” in M. Marthari, C. Renfrew, and M. J. Boyd (eds.), Early Cycladic Sculpture in Context (Oxford 2017) 369-372.
C. Renfrew and M. J. Boyd, “Selected Sculptural Fragments from the Special Deposit South at Kavos on Keros,” in M. Marthari, C. Renfrew, and M. J. Boyd (eds.), Early Cycladic Sculpture in Context (Oxford 2017) 379-394.
C. Renfrew and M. J. Boyd, “The Marble Sculptures from Phylakopi on Melos,” in M. Marthari, C. Renfrew, and M. J. Boyd (eds.), Early Cycladic Sculpture in Context (Oxford 2017) 436-445.
J. B. Rutter, “Children in Aegean Prehistory,” in J. Neils and J. Oakley (eds.), Coming of Age in Ancient Greece: Images of Childhood from the Classical Past (New Haven, 2003) 30-57.
A. Sachini, Prehistoric Cycladic Figures and Their Influence on Early Twentieth Century Sculpture (M.Litt. thesis, University of Edinburgh 1984).
P. Sotirakopoulou, “The Early Bronze Age Stone Figurines from Akrotiri on Thera and their Significance for the Early Cycladic Settlement,” BSA 93 (1998) 107-165.
P. Sotirakopoulou, The “Keros Hoard”: Myth or Reality? Searching for the Lost Pieces of a Puzzle (Athens/Malibu 2005).
P. Sotirakopoulou, “The Keros Hoard: Some Further Discussion,” AJA 112(2008) 279-294.
P. Sotirakopoulou, C. Renfrew, and M. J. Boyd, “Selected Sculptural Fragments from the Special Deposit North at Kavos on Keros,” in M. Marthari, C. Renfrew, and M. J. Boyd (eds.), Early Cycladic Sculpture in Context (Oxford 2017) 345-368.
N. Ch. Stampolidis and P. Sotirakopoulou, “Early Cycladic Stone Artefacts and Idols,” in V. Sahoglou and P. Sotirakopoulou (eds.), Across the Cyclades and Western Anatolia during the 3rd Millennium BC (Istanbul 2011) 64-84.
B. F. Steinmann, “Gestürzte Idole – Das Ende der frühkykladischen Elite,” in H. Meller, H. W. Arz, R. Jung, and R. Risch (eds.), 2200 BC – Ein Klimasturz als Ursache für den Zerfall der Alten Welt? [2200 BC – A Climatic Breakdown as a Cause for the Collapse of the Old World? (Halle 2015)] 235-251.
G. V. Stergiopoulos, “Cycladic Idols: Stripped to the Stone,” in G. Muskett, A. Koltsida, and M. Georgiadis (eds.), SOMA 2001: Symposium on Mediterranean Archaeology 2001 [BAR-IS 1040] (Oxford 2002) 236-240.
S. R. Stocker and J. L. Davis, “The Cyclades and Pylos: An Early Bronze Age Stone Pyxis from Ali Chodza,” in W. Gauss, M. Lindblom, R. A. K. Smith, and J. C. Wright (eds.), Our Cups Are Full: Pottery and Society in the Aegean Bronze Age (Oxford 2011) 274-281.
D. Tambakopoulos and Y. Maniatis, “The Marble of the Cyclades and Its Use in the Early Bronze Age,” in M. Marthari, C. Renfrew, and M. J. Boyd (eds.), Early Cycladic Sculpture in Context (Oxford 2017) 467-482.
C. A. Televantou, “The Roots of Pictorial Art in the Cyclades. From Strophilas to Akrotiri,” in A. G. Vlachopoulos (ed.), ΧΡΩΣΤΗΡΕΣ/Paintbrushes: Wall-painting and Vase-painting of the Second Millennium BC in Dialogue (Athens 2018) 43-66.
J. Thimme, “Die religiöse Bedeutung der Kykladenidole,” Antike Kunst 8(1965) .
J. Thimme, “Ein monumentales Kykladenidol in Karlsruhe: Zur Typologie und Deutung der Idole,” Jahrbuch der Staatlichen Kunstsammlungen in Baden-Württemberg 12(1975) 7-20.
M. van Schaik, The Marble Harp Players from the Cyclades (Utrecht 1998).
D. Wilson, “The Cycladic Marble Figurines from EB II Ayia Irini, Kea: Evidence for Ritual Deposition in Domestic Contexts,” in M. Marthari, C. Renfrew, and M. J. Boyd (eds.), Early Cycladic Sculpture in Context (Oxford 2017) 93-102.
P. Wolters, “Marmorkopf aus Amorgos,” MdI 16(1891) 46-58.
P. Zapheiropoulou, “Protokykladika eidolia tes Naxou,” in STELE: Tomos eis mnemen Nikolaou Kontoleontos (Athens 1980) 532-540.
P. Zapheiropoulou, “The Complete Canonical Sculpture of Spedos Variety from Dhaskalio Kavos on Keros,” in M. Marthari, C. Renfrew, and M. J. Boyd (eds.), Early Cycladic Sculpture in Context (Oxford 2017) 335-344.