Lamp Black Ink and Parchment

In connection with our study of some of the earliest Latin manuscripts on papyrus and parchment, we took a class to try our hands at two different hands: rustic capitals and old Roman cursive. The night before, our ink-making team got to work, mixing lamp black, gum arabic, and water in mortars and pestles, and preparing a small jar of ink for each student in the class.

During class, each student used our new ink, reed pens, and papyrus to make a copy either of a 1st-century BCE fragment of the poetry of Gallus written in rustic capitals, P. Qaṣr Ibrîm 78-3-11/1, or a second-century fragment on Servius Tullius written in old roman cursive, P. Oxy. 2088.

The results were impressive:

We came away with a new respect for the skills of ancient scribes…now the old Roman cursive of P. Oxy. 2088 looks a lot better to us than it did when we were trying to read it earlier in the week. We also came away with a new appreciation for Kremer Pigmente, who supplied us with lamp black powder; just as a experiment, we tried to produce our own, and discovered that it’s a slow process….

Roman oil lamps positioned under sheets of metal on which they are depositing lamp black
Our attempt to make our own lamp black the old-fashioned way, with replica oil lamps from Potted History burning below thin sheets of metal. We did collect some lamp black, but the weak link in the system was definitely the yogurt containers, which began to melt….