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Meanwhile at the Museum Posts

Abstraction on View: Bendolph’s Strips and Thomas’s Stripes

When I first saw Louisiana Bendolph’s quilt titled Strips, hanging in the entry gallery of Always Already: Abstraction in the United States, I was transported back to my great-grandmother’s house. Growing up, I would always look forward to seeing her…

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Art and Science Collide: Insights from a Raman Analysis of Fragment from an “Adoration of the Christ Child”

Scarred by the tedium of my tenth-grade honors chemistry class, I was immediately skeptical when Elizabeth Rice Mattison, the Hood Museum’s Andrew W. Mellon Curator of Academic Programming and curator of European art (and my supervisor), excitedly proposed subjecting one…

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NAGPRA and Our Commitment to Repatriation: A Collaborative Approach to Cultural Preservation

At the Hood Museum of Art, we are deeply committed to the principles of the Native American Graves Protection and Repatriation Act (NAGPRA). Enacted in 1990, this landmark legislation ensures the respectful treatment and return of Native American cultural items,…

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A Summer in Rome: Metals, Decay, and Artistic Innovation in Early Modern Europe

This summer, I spent three months as a curatorial research fellow at the Bibliotheca Hertziana—Max Planck Institute for Art History in Rome. A library, research center, and photographic archive, the Bibliotheca Hertziana is one of the most significant institutes dedicated…

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Take What You Need: Exploring Winslow Homer’s “Chestnutting” and Foraging throughout the United States

In Winslow Homer’s print Chestnutting, a group of children climb up and shake down a chestnut tree in rural New England, collecting the falling burs in an outstretched blanket. Printed in 1870, this image depicts a time when foraging was…

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