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Category: Connecting with the Collection

Connections Across the Collection: The Site of the Table

While curating From the Field: Tracing Foodways through Art, my co-curators and I spoke extensively about our collective lived experiences with and relationships around food but also about the traditions, spaces, and habits that shaped them. Do you routinely sit…

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Why do some labels say “Artist once known” at the Hood Museum of Art?

If you’ve been in our galleries recently, you might have noticed that labels for artworks by unidentified artists list the maker as “artist once known” rather than the more traditional “artist unknown.” The difference is subtle but important. “Artist unknown”…

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Connecting with the Collection: Art in Conversation Across Galleries

One of the first things you discover as a visitor services guide is that anyone who enters the museum will quickly find several beautiful, fascinating, thought-provoking, and socially conscious works of art—there is no shortage of them within these walls.…

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Connecting with the Collection: The Culture & Comfort of Ceramic Pillows

Recently, while going through art handling training (AKA becoming official art touchers), I found that there are a couple of Chinese ceramic pillows in the Hood Museum’s collection. For those not familiar with ceramic pillows, I can imagine how it…

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Adjusting the Database: An Appreciation of Arabic at the Hood Museum of Art

Since the 18th century, Dartmouth has acquired thousands of objects from around the world. From coins and kitchen utensils to clothes, these items are important reflections of the diversity of global culture. Upon its founding in 1985, the Hood Museum…

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Connecting with the Collection: Exploring Heritage and History with the Guatemalan Collection

How you experience art is subjective. The ideas, opinions, and knowledge that you bring to viewing works of art or objects is rooted in your own history and life experience. That unique experience offers an opportunity to connect with what…

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