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Category: The Collection

Why do some labels say “Artist once known” at the Hood Museum of Art?

If you’ve been in our galleries recently, you might have noticed that labels for artworks by unidentified artists list the maker as “artist once known” rather than the more traditional “artist unknown.” The difference is subtle but important. “Artist unknown”…

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Advancing Pathways through Photogrammetry

The Advancing Pathways grant is a distinctive project developing new synergies between the Hood Museum of Art and Dartmouth College Library. The grant sets a trajectory for long-term partnership through shared governance, linked technological infrastructure, and the creation of innovative…

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New Perspectives at the Hood: Absence and Presence of Enslavement in European Art

In early September, the Hood Museum of Art welcomed Mellon Fellow, Associate Professor African and African American Studies Trica Keaton who is also affiliate faculty in the Departments of Sociology and Film & Media Studies. With funding from the Andrew…

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Connecting with the Collection: Art in Conversation Across Galleries

One of the first things you discover as a visitor services guide is that anyone who enters the museum will quickly find several beautiful, fascinating, thought-provoking, and socially conscious works of art—there is no shortage of them within these walls.…

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Radical Acquisitions: Carving Spaces for Queer Undocumented Artists at the Hood Museum

As a Mutual Learning Fellow in the Curatorial Department, one of the opportunities I have is to research and recommend acquisitions to the curatorial team. In keeping with the spirit of the fellowship—which encapsulates “learning by doing”—I dove right into…

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