While curating From the Field: Tracing Foodways through Art, my co-curators and I spoke extensively about our collective lived experiences with and relationships around food but also about the traditions, spaces, and habits that shaped them. Do you routinely sit…
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This past February, the museum celebrated its first-ever Lunar New Year event. The not-so-secret anxiety of our programming creators (and party planners of the world) is that for all your planning and time, no one will show up. However, I…
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Fabric is like air, it’s everywhere. —Artist Woomin Kim As a maker and museum worker, I’m often struck by how art making mimics acts of cooking. Wedging clay for ceramics uses muscles that become useful when you’re kneading bread, and…
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Imagine entering an art museum or gallery and finding every work of art lying on the floor. Disturbed? What I’ve just described is a world without mounts or mount makers. Thankfully, this is not the world we live in, unless…
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The Hood Museum of Art’s exhibition current exhibition, ¡Printing the Revolution! The Rise and Impact of Chicano Graphics, 1965 to Now, traces the history of printmaking and the vital role Chicano graphics played in early social movements. The exhibition, originally…
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As a Mutual Learning Fellow in the Curatorial Department, one of the opportunities I have is to research and recommend acquisitions to the curatorial team. In keeping with the spirit of the fellowship—which encapsulates “learning by doing”—I dove right into…
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Recently, while going through art handling training (AKA becoming official art touchers), I found that there are a couple of Chinese ceramic pillows in the Hood Museum’s collection. For those not familiar with ceramic pillows, I can imagine how it…
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