GCC, DCCS, ISA and Chinese Dance Troupe Present
SPRING FESTIVAL CELEBRATION
Time: Noon-2 pm, Saturday, Feb 21, 2015
Place: Sarner
Performances include: traditional Chinese dance by Chinese Dance Troupe, calligraphy, singing, and CCTV Spring Festival Gala…
There will be DUMPLINGS and lunch catered by Gas Station!
Chinese Calligraphy Presentation: Spring Festival Couplets (chūnlián 春联)
by Global China Connection
Couplets by Zhang Fangsong
Poster Designed by Yukari Itsuki
Dartmouth Chinese Culture Society &
Project for Calligraphy and Manuscript Culture present
Fall 2014 Workshop on Chinese Calligraphy and Manuscript Culture
Differences between Calligraphy and Handwriting:
A Perspective of Mao Zedong’s (1893-1976) Calligraphy
Talk and Demonstration by Prof. Wen Xing
7:00-8:30 PM, 6 November 2014 (Thursday)
Haldeman 031
Supplies will be provided
达慕思中国文化学会暨书法与手稿文化项目
主办
中国书法与手稿文化2014秋季研讨班
书法与手迹的区别：毛泽东书法的视角
邢文教授主讲、示范
时间：2014年11月6日（星期四）晚 7:00 – 8:30
地点：Heldeman 031
公开讲座 欢迎光临
Prof. Harrist’s lecture “Reading Chinese Mountains”
is canceled. Thank you for your attention, and sorry for the inconvenience.
Project for Calligraphy and Manuscript Culture Workshop # 3
书法与手稿文化系列研讨会之三
PRE-WORKSHOP TALK
The Calligraphy and Manuscript Art of Mao Zedong (1893-1976)
毛泽东书法与手稿艺术
By Professor Chuanxi Chen
4:15-6:00 PM, Thursday, October 23, 2014 — TODAY
104 Wilder Hall
WORKSHOP PROGRAM
Xing Wen 邢文 (Dartmouth College)
Introduction: History in Calligraphy and Manuscript Culture:
Significance of the Twenty-Four Histories with Mao’s Commentaries
书法与手稿文化中的历史：毛泽东评点《二十四史》的意义
Chen Chuanxi 陈传席 (Renmin University of China)
Mao Zedong (1893-1976) and the Twenty-Four Histories
毛泽东与《二十四史》
Han Ding 韩鼎 (Henan University)
Manuscripts and State of Mind: A Perspective of Yan Zhenqing’s (705-
784) Manuscript of “Eulogy for the Nephew”
手稿与心绪：颜真卿（705-784）《祭侄稿》的视角
12:00 – 14:00 PM, Friday, 24 October 2014
Haldeman Conference Room 125
To be good at classical Chinese poetry, calligraphy, and traditional Chinese painting, i.e., shi 诗, shu 书, and hua 画, has been the goal of traditional Chinese literati for nearly two thousand years. Poetry, the systematic training of which had started around the 6th century B.C.E. in China, is the first of the “Three Perfections,” sanjue 三绝. The DAMELL and Project for Calligraphy and Manuscript Culture offer regular courses on all the three of them at Dartmouth, i.e., CH 54, CH 62.01, CH 63.01 and CH 82. Well trained in classical Chinese poetry, Prof. Chuanxi Chen (PhD in Classical Chinese Literature) authored two anthologies of classical Chinese poetry, Liaoyan 了言 and Huanjian 还剑, before he concentrated on Chinese art history. Prof. Chen is invited to visit CH 54 “Classical Chinese Poetry” to give a talk and demonstration of drafting classical Chinese poems with traditional Chinese ink and brush during 11:00 AM to 11:50 AM, Thursday, October 23, 2014. Below are Prof. Chen’s poems, calligraphy and painting.
Project for Calligraphy and Manuscript Culture Workshop # 3
书法与手稿文化系列研讨会之三
History in Calligraphy and Manuscript Culture:
Significances of the Twenty-Four Histories with Mao’s Commentaries
书法与手稿文化中的历史：毛泽东评点《二十四史》的意义
Led by Profs. Xing Wen 邢文 & Chen Chuanxi 陈传席
Co-sponsored by Department of Asian and Middle Eastern Languages and Literatures &
Project for Calligraphy and Manuscript Culture
12:00 – 14:00 PM, Friday, 24 October 2014
Haldeman Conference Room 125, Dartmouth College
Pre-workshop Talk:
The Calligraphy and Manuscript Art of Mao Zedong (1893-1976) 毛泽东书法与手稿艺术, 4:15-6:00 PM, Thursday, October 23, 2014, 104 Wilder Hall
Friday lunch will be provided. Registration is required.
Registration due by 8:00 AM, Wednesday, October 22: Wen.Xing@Dartmouth.EDU
Prof. Chen Chuanxi’s lecture on Thursday, October 23 will mark the beginning of the multi-year student-faculty project to transcribe and translate Mao’s handwritten commentaries on the longest continuous history in the world, the Twenty-Four Histories. Dartmouth students who are interested in participating in this project are encouraged to contact Prof. Xing at Wen.Xing@Dartmouth.EDU.
Poster Designed by Yukari Itsuki
