Author Archives: Susan Simon

ENVS 7 – Ecopsychology

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Course: ENVS 7 – Ecopsychology
Instructor: Terry Osborne
Assignment: Media project in collaboration with a local community organization

The Ecopsychology class is a first-year seminar that looks at human psychology as a variable in environmental issues. As the course syllabus describes: “Ecopsychology posits a fundamental connection between the human psyche and the more-than-human world, and examines both the role our psyche plays in affecting the health of the planet, and the effect the degradation of natural world has in return on our psyche.”

The final project in the course is a community-based learning experience. It is a group video project in collaboration with a local community organization. The stated goal of the assignment is to do a video project that explores the ecopsychological components and/or effects of the work the organization does. I spend time before the course meeting with the organizations to discuss possible projects that would meet their needs and desires and fulfill the goals of the course. Once we have a general sense of that, I let the students take over and determine the exact projects with the organization. The target length of the video projects was 2-3 minutes, but this could be adjusted based on the organizations’ needs and desires. This year the organizations the students worked with were the Upper Valley Land Trust, The Upper Valley Transportation Management Association, and Thetford Elementary School.

The UVTMA video you see below initially was to explore the obstacles that get in the way of Upper Valley residents carpooling or using public transportation, by interviewing people who overcame those obstacles. But for various, unexpected reasons, the original interviews could not take place (this is why I like community-based projects: it’s real life; you never know what’s going to happen, so you adjust on the fly). So the students and the community partner (Aaron) reconceived the methodology and the interviews, and that aspect of the process—and the first minute of the video, especially—are what I admire most about this group’s project: the way they worked with the community partner and improvised and shifted the project.

Example of Student Final Project
[youtube nuBixJLR4Cg]

GEOG 43 – Geographies of Latin America: Culture, Race, Nature and Power

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Course: GEOG 43 – Geographies of Latin America: Culture, Race, Nature and Power
Instructor: Sharlene Mollett
Assignment: Media Project

Groups of 4-5 students will present short video documentaries to the class covering a key concept and case study related to International Development in Latin America (see syllabus too). You may choose to cover a topic you have learned about through the class or a related topic of interest. These documentaries can include visual and audio material produced originally by students and/or collected from a range of sources. These must be edited together into 5-7 minute short films. The concepts and ideas presented in the videos should link to key themes discussed and presented during the term. Students should introduce their video with a brief (1-2 minute) discussion with a guide to viewing your film (what are you aiming for with this film?). These short documentaries will consist of a series of video narrated by students. We will end the presentation with a Q and A session and a discussion of the key themes discussed.

AMES 7

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Course: AMES 7 – Environment and Development in China
Instructor: Ken Bauer
Assignment: Multimodal Research Project

Description
The Multimedia Research Project is a multimodal essay, with a hypothesis and an overall argument supported by evidence. It integrates our in-class discussions and builds on close
reading of articles and lectures as well as the search for and analysis of multimedia sources on China’s environment and development. You will research a topic and create a multimedia project
(see Possible Research Topics below for ideas). The research project will provide you with an
opportunity to critically engage and analyze an environment and/or development issue in
contemporary China.

Objectives
The goal of this project is to increase the clarity of your writing skills in expression, coherence,
and elegance while building rhetorical flexibility in the use of images, words, film, audio, etc. The
hope is that students will gain literacy in multimedia as they sharpen their understanding of how
arguments are constructed. As a result of this project, you will:
• learn to do research with primary sources, including popular sources and peer-reviewed
scholarship;
• practice collaborative creativity as you comment upon, constructively support, and build
each others’ projects through group exercises and in-class workshops;
• use multimedia resources to support an argument, create effective transitions between
ideas, and develop your voice.
• add a set of multimedia skills to your toolkit for engaging the world beyond Dartmouth.
• consider critically the sources, assumptions, ethics of their arguments.

Resources
In order to learn how to make a film, you will participate during class time in several workshops. A
technology specialist will train you in using images and audio in iMovie at the Jones Media
Center. Ariel Murphy ’12 has been assigned to be a RWIT student
mentor for this course; she will be a great resource in terms of helping you with this multimodal
research project. You should also consult Jones Media Center tech specialists whenever
necessary.
To schedule equipment use, visit this website:
http://www.dartmouth.edu/library/mediactr/equipment/
To schedule an appointment time with RWIT tutors, visit this website:
https://students.dartmouth.edu/rwit/appointments/undergraduate-sessions
Jones Media Center Video Project tutorials:
https://sites.dartmouth.edu/mediaprojects/resources/
Jones Media Center Quick Reference tutorials:
http://www.dartmouth.edu/library/mediactr/tutorials.html
Dartmouth has many additional resources to help you as you are building this research project –
please take advantage of these resources as well as office hours for consultations with the
instructor.

Audience
This project is pitched for an audience potentially larger and less specialized than the instructor
(though he will still end up grading it). Hopefully your research project will find a broader audience
and, potentially, engage with communities of scholars and netizens across the globe. Keeping in
mind that this film will be publicly available, students are required to work consciously in achieving
clarity, straightforwardness, and concision in their arguments. Further, students will be expected
to create and communicate with respect using appropriate materials. Guidance on respectful use
of the Internet and media tools can be found at Dartmouth Information Technology Policy:
http://www.dartmouth.edu/comp/about/policies/general/itpolicy.html.

Requirements
The research project (40% COURSE GRADE) is sequenced and will be completed in stages,
described below.
1. INSTRUCTOR CONSULTATION on April 18 to discuss your proposed research
project.
2. You will participate in one iMovie TRAINING SESSION at Jones Media Center (April
25), in which you’ll learn video-making techniques. You can also learn about iMovie
at www.apple.com/imovie. There are also numerous Internet tutorials available
through www.YouTube.com, etc.
3. You will submit a TREATMENT PLAN (500 words) for your research project, due
April 28. The instructor will provide a form for the treatment plan (5% of the research
project grade).
4. You will present a PITCH to your peers on May 2. Imagine you are the director and
have just 5 minutes to present your proposal to a potential producer. Your pitch will
outline your purpose, visual & audio content, and overall structure and argument.
Use a working title for your film.
5. You will participate in iMOVIE WORK SESSIONS during class on the following
dates: 5/2, 5/12, 5/19.
6. Since film is a public medium, we have a PUBLIC SCREENING of your films in class
at the end of the term (5/23 + 5/26). At the screenings, the filmmakers will not only to
present their own films but also assess their peers’ work.
7. You will submit on a FINAL COMMENTARY (500 words) on your filmmaking
experience (5% of final project grade). In this commentary, you will address the
following:
a. Problems you encountered
b. Solutions you found
c. Resources you used
d. Thoughts about your process and product.
The instructor will provide a form for the final reflection (due June 2).

Technical Guidelines for Multimedia Research Project
Students will use iMovie or similarly accessible software as an editing program for this
assignment. Editing stations and portable hard drives are available for use through coordination
with the Jones Media Center. The instructor will arrange to make DV tapes available from Jones
for the taping and storage of projects. Students will present their multimedia research project to
their peers at the end of the term.
Running Time: (including credits) 6 minutes maximum, 4 minutes minimum (NO EXCEPTIONS)
Images: Use any appropriate images from digital archives. You must credit all image sources at
the end of your film. You are encouraged to use your own photos if relevant.

Audio: Any kind – voiceover, song, music, sound effects. Remember the overall time limit when
you choose audio. You are encouraged to compose your own music. You must credit all audio
sources at the end of your film.

Video: 4 minutes maximum. Use video advisedly. Using more video does not correlate with a
better film or better grade. Remember that editing footage takes much longer than acquiring it.
Keep it simple and appropriate.

Credit and Permissions: In your film’s credits cite all sources – quotes, images, videos, or audio
recording – that you have used. See the following website for guidelines on crediting media
sources: How to Cite Media

For educational uses – such as showing your film to the class – you do not need to get written
permission for the use of others’ original material. But if you plan post your film on a web site or
screen it at a public (non-educational) event, YOU HAVE TO GET WRITTEN PERMISSION
BEFOREHAND TO USE OTHERS’ MATERIALS. However, you are permitted to post your film to
YouTube or other sites as long as: (1) you make it clear that the film is to be used FOR
EDUCATIONAL PURPOSES ONLY; and (2) YOU PROVIDE CITATIONS FOR ALL SOURCE
MATERIAL.

Final Submission: Save your film as a Full Quality Quick-Time file. Upload the project in the
“Multimodal Research Project” folder on the server space allotted to our class, which Jones
Media Center will provide.

Example of Final Project
[youtube lwkbKQfqkEU]

[youtube aVXAzI-_6Xo]

ITAL 3

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Course: Italian 3
Instructor: Scott Millspaugh
Assignment: “L’altra famiglia” Video Project
Produce a movie trailer for “L’altra famiglia” in groups with the assistance of the Jones Media Center.

The Assignment
In groups of three or four, you will conceptualize and execute a 90-second trailer for a film version of Dacia Maraini’s short story, “L’altra famiglia”. The trailer must include:
1. at least TWO SCENES from the story (these may be edited and don’t necessarily have to represent the scenes from start to finish);
2. appearances by all members of the group (including speech);
3. music; and
4. voice-over narration.

Assessment
Your video project will be assessed on both group and individual bases. Out of 100 total points, 60 will be earned in the following “group” categories

– accuracy of all Italian language used (both voice-over narration and performance) – 12 points;
– content (your interpretation of the story in trailer form – the “idea”) – 18 points; and
– technical execution (the overall quality of the video, including sound and editing) – 30 points.

40 more points will be earned in the following “individual” categories:
1.collaboration (to be determined by your other group mates) – 15 points; and
2. performance (not acting, but your use of Italian language – including fluency and pronunciation) – 25 points.

I will provide a more exhaustive rubric when I return your scripts on May 8th.

Groups
When you meet with your group for the first time, please decide on a name for your production company, which you will include in the credits of the trailer. Think of something fun! (In Italian, of course!)

Assistance
You will be assisted by the Jones Media Center, which will also provide access to the technology necessary to make your trailer (everything from computer stations with iMovie and video recorders to microphones and external hard drives). The timetable for your trailer is as follows:

Monday, April 28th: Susan Simon will visit our class and speak to you for 20 minutes. She will introduce you to the resources available at the Media Center and discuss strategies for conceptualizing your video project.

Wednesday, May 1st: We will have an hour-long training session in the Media Center in Berry.

Also on Wednesday, May 1st: Your trailer storyboard is due at the end of our training session.

Friday, May 3rd: I will hand back your storyboard, so you can begin work on the script.

Monday, May 6th: Your script is due at the beginning of class.

Wednesday, May 8th: I will hand back your script, so you can begin filming.

Monday, May 13th: Check-in day at the Jones Media Center. Instead of having a normal class meeting, we will convene again in the library. At this point, all of your filming should be complete and you will have started working on post-production.

Friday, may 17th: We will watch your completed videos in class, which must be introduced by the group. After we screen your video, you must also explain your creative choices and be prepared to answer questions.

AAAS 90 – The Black Male, Invented or Engineered?

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Course: AAAS 90 – The Black Male, Invented or Engineered?
Instructor: Antonio Tillis
Assignment: Documentary Video Project

In small groups of three, students are expected to create a short documentary film between 5-7 minutes in length. Group members are to select a topic that has a direct association to a topic matter presented in the course. The objective is to explore a topic introduced in the class that is of interest to your group within the framework of a 21st century epistemological understanding of the “Black Male.” As examples, you may choose to explore the theme of contemporary engineering of the Black male subject in 21st century film (selecting one film as text for analysis), Black male sexuality in the media or visual arts, Black male – Black female social dynamics around desirability, etc.

Through the development of this documentary, you are expected to engage the issues presented in the class. All groups are to have a minimum of 5 bibliographic entries or works that are not texts used in the class. (You may use works presented in class, however they are not a part of the minimum 5 outside readings/sources/references.) Additionally, you may choose to conduct interviews, use video footage pertinent to the selected topic. You are required to make a compelling argument about your topic using the chosen media (voice-over narration, video footage from interviews, audio, etc.)

In preparation, students will meet with Susan Simon (Jones Media Center) and with Prof. Tillis. Additionally, groups will meet Professor Tillis outside of class for developmental updates. The final cut of the documentary will be presented in class. At such time, a copy of the script and documentary are due.

Outcomes
This assignment is developed with the following learning outcomes in mind:
1. Discuss how the construct of the “Black Male” has been developed within the Americas and beyond as a racial-gendered group
2. Discuss the social, economic, political designed for the construction of the “Black Male” as a typology
3. Discuss the above mentioned and beyond in a cogent argument using film as the medium to critically engage the chosen topic of the group.

Assessment
Group members will receive a grade for the written treatment, storyboard, script and bibliography. Additionally, the group will receive a grade based on teh final product. (see Sample Grade Rubric) Finally, each student will submit an additional written reflection (no more than 3typed pages) commenting on the film making process and other critical thoughts.

Resources
Professor Tillis
Antonio.D.Tillis@dartmouth.edu

Susan Simon, Media Learning Technologist, Jones Media Center
Susan.Simon@dartmouth.edu

Amy Witzel, AAAS and WGST Reference Librarian
Amy.L.Witzel@dartmouth.edu

Example of Student Final Project
[youtube SADBUKL9mws]

BIO 148-ENVS 80: Polar Science, Policy and Ethics

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BIO148-ENVS80Course: BIO 148-ENVS 80: Polar Science, Policy and Ethics
Instructor: Ross Virginia
Assignment: Science Communication on Polar Change: A Video Project

Science has provided overwhelming evidence of human-influenced Arctic climate change and the likelihood that the pace of change is accelerating. The effects are and will be felt around the world in the environment, weather and oceanographic conditions, commercial shipping and fishing, exploitation of natural resources and energy, agriculture, and wildlife. Indigenous peoples’ way of life is changing, and new health and disease concerns are arising as climate changes in the North. Arctic residents see these environmental changes first-hand, but public awareness of these changes is low and the educational experience for young students in many northern locations does not provide an understanding of the drivers of change and the feedbacks that accelerate or decrease rates of change in biological and physical processes.

Video and multimedia presentations are being used more and more by researchers and teachers to communicate scientific concepts with diverse audiences. This assignment is designed to give you practical skills in producing a video product and in designing science- centered content suited for a target audience. You will work with one or two other students. The target audience for the project will be either: 1) the general US public, think of a Super Bowl infomercial to communicate information about climate change, or 2) high school students living in Greenland.

Susan Simon, media learning technologist with the Jones Media Center, will guide our project. She will lead a media workshop to introduce the basics on project design and will go through the technology and tools available to us on line and at the Jones Media Center. Class time will be devoted to working as a group and in smaller teams on forming the project and intermediate goals and short assignments will keep us on schedule. Three “check-in” sessions have been scheduled at the Jones Media Center during class time so we can work directly with their staff. More information will be distributed in class. My hope for this project is that it will be interesting, challenging, and I dare say fun.

Example of Student Final Project
[youtube DxQcxZ3olbE]

AMES 40: Nomads from central Asia to the Middle East

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AMES 40

 

Course: AMES40: Nomads from central Asia to the Middle East
Instructor: Prof. Ken Bauer
Multimedia Research Project Assignment

DESCRIPTION
The Multimedia Research Project is a film-based argument, with a hypothesis supported by
evidence. It integrates our in-class discussions and builds on close reading of articles and
lectures as well as the search for and analysis of multimedia sources on indigenous knowledge
and development. You will research any relevant topic of your choice and create a multimedia
project.

OBJECTIVES
The goal of this project is to increase the clarity of your rhetorical skills and flexibility using
images, words, film, audio, etc. The hope is that students will gain literacy in multiple media as
they sharpen their understanding of how arguments are constructed. As a result of this project,
you will:

• learn to do research with primary sources, including popular sources and peer-reviewed
scholarship;
• use multimedia resources to compose an argument, create effective transitions between
ideas, and develop your voice;
• add a set of multimedia skills to your toolkit for engaging the world beyond Dartmouth;
• consider critically your sources, assumptions, and ethics.

RESOURCES
You should also consult Jones Media Center tech specialists whenever necessary.
To schedule equipment, email: jones.media.center@dartmouth.edu
To schedule time with RWIT tutors, email students.dartmouth.edu/rwit/
Dartmouth has many additional resources to help you as you are building this research project –
please take advantage of these resources as well as office hours for consultations with the
instructor.

AUDIENCE
This project is pitched for an audience potentially larger and less specialized than the instructor
(though he will still end up grading it). Hopefully your research project will find a broader audience
and, potentially, engage with communities of scholars and net-izens across the globe. Keeping in
mind that this film will be publicly available, students are required to work consciously in achieving
clarity, straightforwardness, and concision in their arguments. Further, students will be expected
to create and communicate with respect using appropriate materials. Guidance on respectful use
of the Internet and media tools can be found at Dartmouth Information Technology Policy:
http://www.dartmouth.edu/comp/about/policies/general/itpolicy.html.

REQUIREMENTS
The research project is sequenced and will be completed in stages, described below.
1. You will meet with the instructor on April 25 or 26 to discuss your proposed
research project.
2. You will participate in one iMovie training session at Jones Media Center (April 22) in
which you’ll learn video-making techniques. You can also learn about iMovie at
www.apple.com/imovie. There are also numerous Internet tutorials available through
www.YouTube.com, etc. We will have work sessions at the Jones Media Center on 5/3, 5/10, 5/15, 5/22.
during class on {4 check in sessions}
3. You will submit a RESEARCH PROPOSAL on …
4. You will submit a TREATMENT PLAN for your research project, due …. will
provide a form that will help you complete the treatment plan. Treat this as a “pitch”.
5. You will participate in a library research session at the library on 5/1. You will
compile an annotated bibliography that includes at least 8 peer-reviewed journal
articles and two books in your bibliography, due 5/22. Your other sources can
include popular media, social media, video, etc. For each bibliographic item, write an
annotation explaining the resource and how it will support your thesis.
6. You will upload your film to the Jones Media Center by 9 am on May 30. Since film is
a public medium, we will screen our films in class at the end of the term, on May 31.
At the screenings, the filmmakers will not only to present their own films but also
assess their peers’ work.
7. To your professor, you will submit on a Final Reflection due June 2 on your
filmmaking experience. In this commentary, you will address the following:
a. Problems you encountered
b. Solutions you found
c. Resources you used
d. Thoughts about your process and product.

TECHNICAL GUIDELINES FOR MULTIMEDIA RESEARCH PROJECT
Students will use iMovie or similarly accessible software as an editing program for this
assignment. Editing stations and portable hard drives are available for use through coordination
with the Jones Media Center. The instructor will arrange to make DV tapes available from Jones
for the taping and storage of projects. Students will present their multimedia research project to
their peers at the end of the term.
Running Time: (including credits) 6 minutes, 4 minutes minimum

Images: Use any appropriate images from digital archives. You must credit all image sources at
the end of your film. You are encouraged to use your own photos if relevant.

Audio: Any kind (voiceover, song, music, sound effects). Remember the time limit when you
choose audio. You are encouraged to compose your own music. You must credit all audio
sources at the end of your film.

Video: 4 minutes maximum. Use video advisedly. It does not correlate with a better film or better
grade. Remember that editing footage takes much longer than acquiring it. Keep it simple and
appropriate.
Credit and Permissions: Cite all of the sources – quotes, images, videos, or audio recording –
that you use in the credits. Credit everything and everyone. For educational use (such as showing
to the class), you do not need to get written permission. But if you plan post your film on a web
site or screen it at a public (non-educational) event, YOU HAVE TO GET WRITTEN
PERMISSIONS TO USE OTHERS’ MATERIALS BEFOREHAND.
Final Submission: Save as a **Full Quality Quick-Time** file. Upload the project in the
“Multimodal Research Project” folder on the server space allotted to our class, which Jones
Media Center will provide.

ASSESSMENT
This project will be assessed based on quality of research, organization, content, narrative, video
and audio editing, graphics, and production quality, among other criteria. The detailed evaluation
rubric will be available to students via Blackboard.

Piper – Writing 5: Expository Writing

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Course: Writing 5: Expository Writing
Instructor: Wendy Piper

Please compare any key aspect of either text that we’ve read to any pop cultural representation. You could think of whether there are any characters that resemble Hester Prynne alive in culture today. If so, how is she treated in contemporary representations? Are there similarities or dissimilarities to Hawthorne’s treatment of her, or of Dimmesdale, Pearl, or the Puritan town’s people.

What about key characteristics of O’Connor’s novel, Wise Blood? Are there characters similar to Hazel Motes or Enoch in today’s culture, albeit in different forms than O’Connor may have envisioned. Are there movies, television shows, or is there music that indicates a similar character or thematic aspect of O’Connor’s text?

This multimodal assignment will have the same function in this Writing 5 class as one of your formal papers. Its purpose will be to help you to continue to develop your skills in composition, critical thinking, and argumentation. You’ll be making a claim in your iMovie adaptation that will reflect back on one of our novels.

The length of the films will be 5-7 minutes. We’ll undergo two formal training sessions, and will be assisted by RWIT tutors, and the staff of the Jones Media Center. We’ll have two sessions during class time in which we’ll present our films to the class.

Example of a Final Project

[youtube TQWUWUXuvYY]

AAAS 7: Women, Gender and Sexuality in the Caribbean

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WGST: Women in the CaribbeanCourse: AAAS 7: Women, Gender and Sexuality in the Caribbean
Instructor: Reena Goldthree

For this project, you will work in small groups of three to create a short documentary film. You and your group members will select the specific topic of the documentary; however, your film must critically examine some aspect of women’s lives in the Caribbean before 1960. For your film, you can choose to analyze the life of a specific Caribbean woman, investigate a social movement led by women (i.e., the campaign for women’s suffrage), or examine major topics such as slavery and indentureship with a focus on women’s lived experiences.

By creating an original documentary, you will have the opportunity to explore the issues that we have discussed in class through the visual medium of film. You will also be able to research a topic that interests you and communicate your findings to your peers and the broader public. Rather than simply telling a story about the past, your documentary should make a compelling argument—using voice-over narration, audio, and relevant historical images and film—about the topic you choose to explore. Your argument should be informed by relevant primary and secondary sources beyond the assigned course readings. Each documentary should be 5-6 minutes and must include a bibliography. The final cut of your documentary will be due on March 1, 2011. We will screen and discuss the documentaries in class on March 2, 2011.
To help you create your documentary, you will attend two special workshops. The first workshop, led by librarian Amy Witzel, will explore how to find relevant primary and secondary sources for your film. The second workshop, led by Susan Simon at Jones Media Center, will review multimedia composition techniques and provide basic training in iMovie and Photoshop. In addition, you will complete several mini-assignments in the process of creating the documentary, including an oral “pitch” of your topic, a written film treatment, and a draft script and storyboard.

Learning Outcomes
After completing this project, students will be able to:

    1. Discuss how race, class, sexuality, and nationality have shaped the opportunities available for various groups of Caribbean women

 

    1. Identify some of the major social, political, and cultural institutions that have sought to define women’s roles in Caribbean society

 

    Produce polished multimedia compositions that have an original perspective, clear argument, supporting evidence, and proper citations

Assessment
Since this is a collaborative project, your group will receive a grade for the written treatment, storyboard, script, and bibliography. Your group will also receive a grade for the final documentary film. As a class, we will work together to develop a rubric to assess the documentaries.
You will receive an individual grade for your written reflection on the filmmaking process.
Resources
Reena Goldthree, Instructor for AAAS 7
Contact: Reena.N.Goldthree@Dartmouth.edu

Susan Simon, Media Learning Technologist, Jones Media Center
Contact: Susan.Simon@Dartmouth.edu

Amy Witzel, Reference Librarian for African and African American Studies (AAAS) & Women and Gender Studies
Contact: Amy.L.Witzel@Dartmouth.edu

Kay Yi, Writing Assistant for AAAS 7
Contact: Kye.H.Yi@Dartmouth.edu
AAAS 7 Library Resources Guide (prepared by Amy Witzel)
http://researchguides.dartmouth.edu/aaas7

AAAS 7 Blackboard Page (see “Video Project Resources” link)
Student Center for Researching, Writing, and Information Technology (RWIT)
Website: https://students.dartmouth.edu/rwit/

THEA 10.2/WGST 59.03/AMES 25: Unveiling the Harem Dancer

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Course: THEA 10.2/WGST 59.03/AMES 25: Unveiling the Harem Dancer
Instructor: Maral Yessayan

As part of the course Unveiling the Harem Dancer, the students were divided into working groups and asked to produce a video (2-5 minutes long) that creatively challenges stereotypes commonly associated with Arabs and Muslims. The course material for “Unveiling the Harem Dancer” focused on the role that visual media has historically played in creating a repertoire of images that sustain stereotypical descriptions of Arabs and Muslims. In response, I encouraged the students to use the same tool, i.e. the visual text, and capitalize on its ability to unsettle some of the stereotypes associated with Arabs and Muslims today. In my opinion, the projects were a great success. A focus on the visual medium seems to have enhanced the students’ understanding of the extent to which societies rely on visual difference to perpetuate ethnic, religious, and cultural stereotypes. The videos allowed students to actively engage in a dialogue with the prevailing discourse about Arabs and Muslims, which in turn enabled them to participate in a cross-cultural dialogue promoting values of tolerance and coexistence.

This video assignment also required each group to maintain a “Group Diary Blog,” which were made available to students on Blackboard. The purpose of the “Group Diary Blog” was to create a space for the students to flesh out their ideas, identify their research question, and define the vision of their video project in writing. It served as a productive forum for the students to brainstorm ideas, respond to one another, manage group meeting times, share information/graphics/links, organize and cite research material, and discuss the progress of their video project. It also provided me insight into the nature, process, and development of each of the groups’ video project, and allowed me to be more effective in directing and guiding the students whenever they had questions or faced challenges. Each group followed the “Video Project Proposal – The Pitch” and “Treatment Plan for Student Video Projects” guidelines provided by the JMC for their midterm. As part of their pitching presentation, however, I also encouraged them to create a preview video to practice using imovie software and to have a better feel on how to divide production tasks among group members for the video project. The groups screened their final videos at the end of week nine as part of an open public event that was followed by Q&A. The grading criteria for the final video project included three components:
Video Quality Production (from Concept to Creation) – 80 points
Video Supporting Group Paper – 10 points
‘Behind the Scenes’ Group Presentation – 10 points

Example of Final Video Project

[youtube 2gn9pNKcPyA]